
44 stories published earlier.
‘Black Sunflowers’ Director & Stars On Sean Penn’s Support And Coping With Ukraine War By Seeking Ecstatic Release – TIFF Studio
‘The Surgeon’ Review: Michelle Yeoh Goes All John Wick Taking Her Scalpel To The Bad Guys – Toronto Film Festival
Anthony Ippolito on Speaking to Sylvester Stallone Before Filming ‘I Play Rocky’: “Very Overwhelming and Daunting”
‘I Play Rocky’ Premieres at TIFF: A Movie About a Best Picture Winner That’s a Best Picture Contender?
‘NAZA’ Review: Israeli Military Accused Of Depraved Indifference To Palestinian Life, Using AI To Kill In Gaza – Venice Film Festival
‘Babies’ Review: Lauren Miller Rogen Film Is A Witty, Heartfelt Exploration Of Childless Adulthood & Chosen Family – Toronto Film Festival
Paramount Leaving California Will Devastate Los Angeles Economy, Leaked Report Finds
Sandra Bullock Recalls “Auditioning for Every Pervert” and Being Asked to “Drop My Pants”: “Not the Role for Me”
‘Everybody Wants to F— Me’ Review: Giddily Genre-Crossing Comedy Sees Right Through Taron Egerton’s Nice-Guy Act
Huge L.A. Job Losses If Paramount Exits California, County Warns; Ellison-Led Company Slams AGs & WGA’s Antitrust Action In Official Rebuke
‘Twilight’ Star Kellan Lutz Leading Faith-Based Survival Thriller ‘The Rescue’, Sales Launch At TIFF
Mahershala Ali Reveals He Was “Yearning” to Perform Action On-Screen Before Filming ‘Your Mother, Your Mother, Your Mother’
Camera-Shy Chrissie Hynde on Finally Allowing a Definitive Doc to Be Made About ‘The Pretenders,’ Bowing in Toronto: ‘I Just Wanted to Be in a Band. I’ve Never Graduated Beyond That Initial Interest in It’
Seth Rogen Says ‘Babies’ Is “Reflective” of His “Experiences” Exploring Parenthood: “It’s Shocking How Personal It Is”
‘Letters From the Silenced Country’ Wins Golden Globes Impact Prize for Documentary Presented During Venice Film Festival (EXCLUSIVE)
Mia Wasikowska Fills Out the Screen As ‘Agata the Writer’ in Kuba Dorabialski’s Venice Drama: ‘It’s Our Responsibility to Understand Each Other’
Maggie Gyllenhaal’s Venice Jury Didn’t Award ‘Woman Unknown’ the Golden Lion Just Because It Was Directed by a Woman: It ‘Was Like a Laser Beam’
Jeremy Thomas, Producer of Oscar-Winning ‘The Last Emperor,’ Dies at 77
Slavoj Zizek Wants to Talk About Taylor Swift, Spider-Man and His Crush on Olivia Wilde
‘Closing Night’ Review: Killer Cast Sarah Paulson, Naomi Watts, And Dianne Wiest As Mothers On The Edge – Toronto Film Festival
How a Small Chinese Drama Became a $300 Million Phenomenon
‘The Face of Horror’ Review: Anna Biller’s Medieval Ghost Story Is A Technicolor Fever Dream Of Love, Betrayal & Vengeance — Toronto Film Festival
Glen Basner & Roeg Sutherland Open Their Global Sales Playbook: “You Have To Reset Yourself Every Two Weeks” — TIFF: The Market
Andrew Scott Gets Candid at TIFF About ‘Elsinore’ and People Against Gay Actors Playing Straight Roles: ‘That’s Just Prejudice’
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